Here is our brainstorm:
Here is our analysation of You've Got The Love, Florence and the Machine:
Here is our analysation of Gravity, Ella Eyre:

Flashes of light against a black screen open the music video.
This grabs the audience’s attention from the beginning instead of a typical
fade out of black or wipe transition. When the flashing stops, we are
introduced to the set and main source of lighting, the strip lights on the
ceiling. These lights appear bright against low key lighting, to grab our
attention within quite a plain set.
Despite this, it is important that the video still draws in
viewers to help promote the song and maximize profits and knowledge of the
band, especially as they are an uncommon indie band. This has mainly been done
by the lighting within the video. One way this has been completed is by using a
strong light through different angles. This changes the low key lighting to
high key lighting. This creates a light
beaming through, creating silhouettes and unique shapes. It comes across as
quite glary whilst on the screen. This makes visuals stand out, even though it
is entirely in black and white. The use of the light beaming also focuses where
we look on the screen, which can be useful when changing the center of the
music video.
At the climax of the song there is a montage of different lighting
used. The main effect used is flashing lights. The and movements of the band
create the feel of attending a concert. This is an advantage of a performance
based music video as it sells the artist as performers and especially within
this music video, it makes you believe you would enjoy to see them live, which
then promotes them and increases their profits if their tours sell out and get
bigger. Another interesting moment I noticed about the lighting is during this climax
montage the initial lights we saw shine at their brightest. This further
increases the experience of the music video to feel as if the viewer is
actually at a concert.
At the end of the video there is a bright light shining on
McCann as the camera follows him. As the camera follows him the bright light
continues to disappear out of shot. As he carries on walking the bright light entirely
goes out of shot and as McCann exits the shot the video is left with a black
screen.
Next I will look at how the costumes have evolved in her video. Traditionally in pop women wear revealing outfits, which coincides with the Mulvey Male Gaze Theory. This is highlighted in the SOS video when from the start Rihanna wears a short, slinky green dress. The location where there are diamond flashing lights is the main dance location. Here Rihanna wears a crop top, hot pants, stockings and stiletto's. This is a revealing outfit which along with her sexualised dance moves creates the male gaze theory. The fashion taste from 2006 has obviously changed hugely, we can acknowledge this when Rihanna adorns a Pink Frilled playsuit which now looks very outdated. The outfits in this video create the image of Rihanna as a fun, young party girl along with the nature of the video. When looking at the Needed Me video we see a different side to Rihanna, some of which can be seen through how she dresses. The first outfit we see Rihanna in is extremely revealing, showcasing that her character image has changed extremely. The beat of the music is lot more relaxed and in a way mysterious as well, creating mystery with the viewer to how she has changed. The second outfit Rihanna wears is a metallic tie up dress, which is very in fashion at the moment. Rihanna is huge in the public eye and has become very well known in the fashion industry. She is frequently sitting FROW on the most respected fashion walks in the industry. This influences her costumes in her videos now as she will not be seen in something that is 'unfashionable' as she is so high up in the fashion industry.
Another element of mis-en-scene I will compare is the setting. The SOS setting is very generic for a POP music video. All aspects of the video would have been filmed in a studio using green screens.
The effects are very basic including the spotlight scene and mirror location. In the Needed Me video the locations seen are much more interesting and real life locations. This shows that Rihanna's budget has increased. Although some of her videos may use green screens in studios, the effects used would be much more advanced then the ones seen in SOS. Needed Me was filmed in Florida Miami, and the city takes a huge role in the video. Due to Rihanna's star status, she will have location scouts go out and search for locations for her videos, meaning she will get the best setting and best videos.
The spacing of a music video means where the artist is in comparison to everything else. In the SOS video Rihanna has only one co-star who doesn't appear much within the video. Her props are also limited, maybe due to her budget not being as high as it is today. Most of the shots used are mid shots or close up shots, meaning we are quite up close and personal with her meaning that we feel like we get to know her quickly. This differs to the Needed Me video, as Rihanna appears in rooms full of people. This creates the idea that Rihanna is a much more poplar artist now. However there are also scenes where she appears on her own, however the shots are varied from wide and close ups. There are two main types of spacing used in this video. The first is when Rihanna is on her own with the city in the background and the second is where she is in the busy strip club.
The last element of mis-en-scene I have to analyse is facial expressions and body language. In terms of music videos we can look at them artists are shown in close up shots. In SOS, her facial
expressions once again sell her as a fun, friendly character. However we also see a sexy side to the singer when she pouts and stares at the camera. This shows the looking theory as well. Rihanna comes across fiesta through her body language and her choreography. This is quite similar to the Needed Me video as she is shown as feisty however she is not shown as a fun and friendly girl. Her facial expressions are mostly straight faced and she is seen as a serious more mature woman. When she is in the strip club the close up shows her looking angry, which is then further proven when she goes on to shoot a man. After we see the man fall to the floor, Rihanna smoothly exits on a yacht not seeming to be bothered about what she has just done in the slightest. Although Rihanna is obviously acting in the video, the fact she is now acting out a much more serious narrative compared to her just dancing in the SOS video showcases another way that she has matured and developed as an artist.
The video starts with one of the members dropping a photograph into a tray of water to develop the photograph, which reveals the name of the song and the director, Ben Winston. We then see panning shots of the room showcasing the members of the band developing and looking at more photographs, this foreshadows the whole narrative for the audience as we know it will probably be fully focused on photographs. This is a narrative music video, with some hints of amplification. As lead singer Harry Styles sings 'Written on these walls are stories that I can't explain', he hangs up a photograph as a metaphor for the stories. A variety of mid shots and close ups are used at the beginning of the video, before the first chorus, all focusing on different members of the band. Each member is doing some action with their photographs, for example Niall Horan is laying his to dry on a rack whilst Liam Payne is looking through a selection of filters.
The first photo we have a clear view is, shows Zayns story. A zoom in shot shows an old photograph of Malik and his little sister which morphs into a modified image of the pair in the same costume, setting and poses but grown up. Everyone in shot, except from the band member, remains still in freeze frame whilst the band member moves and sings. This gives the impression of the band member looking back on their memories and re living them.
For the slow part of the song, we are shown a more saddening image. Louis's image shown is one at christmas with his parents and grandparents. When the image morphed into the up to date image, his grandparents disappear, showing they have sadly passed. This creates a whole different set of emotions for the viewer, as it will most likely lead them to memories or a deceased relative that they dearly miss. Louis looks to either side of himself and smiles, showing he believes they are still there and acknowledges how much he misses them.